Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Here are all the paintings of Louis Lcart 05

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
63433 Waves Louis Lcart Waves mk286 40.6 x 48.2 cm 1931
63348 Weather Louis Lcart Weather mk 33 x 50.8 cm 1928
63157 Well Louis Lcart Well mk286 30.4 x 44.4 cm 1925 years
63467 White and Black Louis Lcart White and Black mk286 32 x 40.5 cm 1932
63502 White Bird Louis Lcart White Bird mk286 40 x 74 cm 1931
63239 White Symphony Louis Lcart White Symphony mk286 39.3 x 50.8 cm 1932 Nian
63285 White underpants Louis Lcart White underpants mk286 48.2 x 38.1 cm 1925 Nian
63132 Wind and the line Louis Lcart Wind and the line mk286 19.5 x 24.4 cm 1922 Nian
63524 Wings Louis Lcart Wings mk286 22.9 x 17.8 cm 1936
63402 Woman selling birds Louis Lcart Woman selling birds mk286 35.5 x 48.2 cm 1929
63257 Woman selling flowers in spring Louis Lcart Woman selling flowers in spring mk286 38.1 x 53.3 cm 1939 Nian
63379 Woman with pigeons Louis Lcart Woman with pigeons mk286 29.2 x 48.8 cm 1926
63120 Women and cats Louis Lcart Women and cats mk286 35 .5 x 43.5 cm 1921 Nian
63184 Women and cats Louis Lcart Women and cats mk286 26.5 x 25 cm 1926 Nian
63438 Women and skirt Louis Lcart Women and skirt mk286 29.2 x 49.5 cm 1939
63110 Women Chronicle Louis Lcart Women Chronicle mk286 17.7 x 25.4 cm 1917 Nian
63111 Women Chronicle Louis Lcart Women Chronicle mk286 17.7 x 25.4 cm 1917 Nian
63233 Yellow Rose Louis Lcart Yellow Rose mk286 53.3 x 43.2 cm 1933 Nian
63224 Youth Louis Lcart Youth mk286 39.3 x 61 cm 1930 Nian

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Louis Lcart
French (1880-1950) Louis Icart was born in Toulouse, France. He began drawing at an early age. He was particularly interested in fashion, and became famous for his sketches almost immediately. He worked for major design studios at a time when fashion was undergoing a radical change-from the fussiness of the late nineteenth century to the simple, clingy lines of the early twentieth century. He was first son of Jean and Elisabeth Icart and was officially named Louis Justin Laurent Icart. The use of his initials L.I. would be sufficient in this household. Therefore, from the moment of his birth he was dubbed 'Helli'. The Icart family lived modestly in a small brick home on rue Traversi??re-de-la-balance, in the culturally rich Southern French city of Toulouse, which was the home of many prominent writers and artists, the most famous being Henri de Toulouse-Lautrec. Icart fought in World War I. He relied on his art to stem his anguish, sketching on every available surface. It was not until his move to Paris in 1907 that Icart would concentrate on painting, drawing and the production of countless beautiful etchings, which have served (more than the other mediums) to indelibly preserve his name in twentieth century art history. When he returned from the front he made prints from those drawings. The prints, most of which were aquatints and drypoints, showed great skill. Because they were much in demand, Icart frequently made two editions (one European, the other American) to satisfy his public. These prints are considered rare today, and when they are in mint condition they fetch high prices at auction. Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honor?? Fragonard. In Icart's drawings, one sees the Impressionists Degas and Monet and, in his rare watercolors, the Symbolists Odilon Redon and Gustave Moreau. In fact, Icart lived outside the fashionable artistic movements of the time and was not completely sympathetic to contemporary art. Nonetheless, his Parisian scenes are a documentation of the life he saw around him and they are nearly as popular today as when they were first produced. In 1914 Icart had met a magical, effervescent eighteen-year-old blonde named Fanny Volmers, at the time an employee of the fashion house Paquin. She would eventually become his wife and a source of artistic inspiration for the rest of his life.
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